Editorial
Louis Vuitton Women’s Cruise 2026: Ghesquière’s Theatrical Opus at Palais des Papes
Louis Vuitton’s Women’s Cruise 2026 show wasn’t just a fashion presentation—it was a masterstroke of art, history, and storytelling. Held on May 22, 2025, at the magnificent Palais des Papes in Avignon, this was the house’s first-ever runway show at the 14th-century Gothic landmark. Under Nicolas Ghesquière’s visionary direction, the event transformed one of France’s most revered cultural sites into a luminous stage where medieval drama met futuristic flair.

The Venue: A Gothic Dream Realized
It was a bold choice, but not surprising. The Palais des Papes—once the seat of the Roman Catholic Papacy and now a UNESCO World Heritage site—offered a grand, theatrical setting that echoed Ghesquière’s ongoing love affair with architecture and history. In fact, the timing was poetic: 2025 marks several major anniversaries for the city, including 25 years of UNESCO recognition and 50 years since Avignon was named a European Capital of Culture.
The creative set, envisioned by artist Es Devlin, flipped expectations: guests stood where performers usually do, while the “audience” seats—tiered and clad in red velvet—remained unoccupied on stage. The result? A hauntingly beautiful inversion that paid tribute to Avignon’s celebrated theatre scene and Festival d’Avignon, amplifying the collection’s performative essence.
The Louis Vuitton Collection: Armor for the 21st-Century Muse
Titled “women’s armor for everyday life,” the Cruise 2026 collection was a poetic exploration of power dressing with a historical twist. Ghesquière drew inspiration from knights, troubadours, and stage performers—but infused them with the unmistakable codes of modern luxury.
Opening the show, Julia Nobis appeared in a structured “knight’s uniform,” setting the tone for a series of striking looks that ranged from gilded tunics and velvet capes to fluid metallic dresses reminiscent of Joan of Arc. Each piece balanced theatrics with utility—never crossing the line into costume.
The craftsmanship was impeccable. Textures clashed and harmonized—think chainmail-like knits, shimmering satins, and sculpted shoulders—while silhouettes combined architectural precision with feminine grace. Accessories pushed the fantasy even further: mirror-encrusted booties, cavalier leather boots studded with grommets, and Alma bags transformed into literary relics with 3D-embossed embellishments straight out of an illuminated manuscript.
Star Power and Social Buzz
Naturally, the front row was dripping with star wattage. With Cannes Film Festival underway nearby, the guest list read like a Hollywood who’s who: Cate Blanchett, Emma Stone, Saoirse Ronan, Catherine Deneuve, Alicia Vikander, and Stacy Martin all turned heads, affirming Louis Vuitton’s magnetic pull in both fashion and film.
On social media, the show ignited a frenzy. X (formerly Twitter) was ablaze with praise for the visuals, the venue, and the unexpected cameo of K-pop star Felix, whose presence sent #FELIXxLVCRUISE26 trending worldwide. Once again, Vuitton proved it knows how to stir a cultural moment—not just on the runway, but across digital landscapes.
Louis Vuitton 2026 – A Legacy Beyond Fashion
What truly elevated the show was Vuitton’s conscious cultural contribution. As part of its partnership with Avignon, the brand funded a lighting project to illuminate the city’s historic buildings—including the cathedral and Hôtel des Monnaies—enhancing both their beauty and public safety. This gesture is part of Louis Vuitton’s broader tradition of giving back to the cities that host its shows, from Seoul to San Diego.
Adding to the night’s artistic richness was the presence of renowned French artist Jean-Michel Othoniel, who applauded the show’s creative spirit and its resonance with Avignon’s artistic soul.
Cruise Season 2026: Louis Vuitton Sets the Bar
As the Cruise 2026 calendar unfolds—with Chanel heading to Lake Como, Gucci to Florence, and Dior to Rome—Louis Vuitton has already claimed its throne. From the scale of the production to the strength of the designs, this show reaffirmed the maison’s mastery in merging fashion, history, and cultural diplomacy.
Come November 2025, when the collection hits boutiques worldwide (with dedicated campaigns and pop-ups expected), its impact will move beyond the runway. This wasn’t just another Cruise show—it was a grand spectacle, a love letter to heritage, and a reminder that Louis Vuitton doesn’t just create clothes. It creates moments.